- #Retoring uviworkstation update#
- #Retoring uviworkstation mods#
This new version sees the addition of 15 instruments and over 3,000 patches from seven new products, including BeatBox Anthology 2, Cameo, Digital Synsations Vol.
#Retoring uviworkstation update#
Very detailed Rhodes© AMP simulation with different mic placements and true stereo response.Paris-based software developer UVI recently released Vintage Vault 2, a massive update to their premier vintage synth collection that now includes 50 instruments, 111 drum machines, over 7,000 presets, and 300,000+ samples. Fully customizable instrument to match any real life Rhodes voicing and adjustment. Sampling and modeling hybrid of a Mark1 Fender Rhodes©. Just repeat a few linear velocity repetitions and it will be all set and ready to play. The MIDI mapper allows to adjust the response of the VTines velocity by velocity if necessary, and Acousticsamples created a tool that does it automatically by analysing what you play. MIDI ControlĮvery keyboard has its own MIDI response. You can adjust many different parameters for each note, for all notes or using a mapper for each parameter. It's exactly the same on the V Tines, you just don't need the screwdriver. A real electric piano can be customized with a screwdriver, you basically adjust the angle and distance between the tine and the pickup. Modeling also means customization, you can alter the sound of the V Tines like you would on a real electric piano and in a very easy way. Rhodes© pianos are often used with FX, so Acoustic Samples created an FX panel with the most common ones, each of them is one of the very efficient and high quality FXs made by UVI. Their AMP simulation is true stereo, meaning that they have a very precise stereo image which is extremely useful when the Vibrato is on. Rhodes© are often recorded through the direct output, but the suitcase models have a stereo amp that has a very recognizable sound with two 12' speakers facing the front and two facing the back and each side.Īcousticsamples captured different microphone positions and distances to cover most of the real life recording placements. Pre 1969 Rhodes© only had a mono tremolo, so Acousticsamples added that option and you can get that old school vibrato effect. The Bass and treble EQ are precisely adjusted to the frequencies and ranges of the original preamp. #Retoring uviworkstation mods#
They just added the possibility to sync it to your tempo and also extended the speed range just like some real mods do. Vibrato and Front FXĪcousticsamples carefully measured the output of the preamp of a Rhodes© suitcase and created an exact replica of the stereo panning of the Vibrato. It also ensures that the staccatos and releases that make up for half of the realism sound perfect, not like a fadeout, not too loud, just perfect. It gives you access to a 100% continuous response, a very small sized library (80Mb) and a very high tweakability. VTines is based on real samples of a 1978 Fender Rhodes© Mark1 fully restored with clean pickups and tines, new grommets, new hammer tips, etc, so it is the best an electric piano can sound. Pure Rhodes© Sound, Uncompromised Playability This allows the V Tines to weight only 80Mb, to really sound like a Fender Rhodes© with all of its imperfections and to have a fully continuous response as well as a highly tweakable sound. They found a way to combine both technologies by using samples as the sound source and all the rest uses modeling techniques. Getting both with only samples requires too many of them and only with modeling requires too much CPU. Acoustic Samples have always had the idea that the future of virtual instruments was going to be the sound quality of sampling but with the playability of modeling.
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